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Latest reviews
Found A Cure (Tom Moulton & Joey Negro mixes)Groovin Italy
Following their recent reissue of some vintage - and genuinely brilliant - remixes of Ashford & Simpson's 'Bourgie Bourgie' by Director's Cut and Joaquin 'Joe' Clausell, Groovin Recordings have turned their attention to another of the legendary soul duo's disco-era classics, 1979's 'Found a Cure'. On side A, you'll find what we believe is the ultimate disco mix of the cut, a rare, ten minute Tom Moulton take that brilliantly stretches out the cut while foregrounding the duo's vocals and the superb original orchestration. Turn to side B for Dave Lee's 2018 'Found a Dub' version (originally released under his now abandoned Joey Negro alias), a more stripped-back disco dub that removes most of the original vocals while showcasing the intricacy of Ashford and Simpson's original 1979 arrangement.
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12 ConversationsNoton Germany
The sessions for Ryuichi Sakamoto's last recorded solo statement, 12, also gave rise to this less-well-known but flooring project, 12 Conversations. Made up of tape recordings exchanged and reworked in dialogic exchange between the leading YMO light and minimalist light Alva Noto of Xerox fame, it was hardly considered releasable between them at first, until Noto eventually saw it fit to transcend the category of passion project. Fitting well into Carsten Nicolai's treatment of songs as studies suited to a theme, as opposed to isolable pop ideas, it carries over his Vrioon-era vocabulary; sustained piano; precise electronic detail; flicking clicks and pops evoking the sound of airborne current coupling.
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God Bless The Blake BabiesAmerican Laundromat US
Here's a first-ever vinyl pressing of the first album by Boston three-headed rock dragon Blake Babies. Their surprise 2001 reunion, God Bless... arrived seven years after Juliana Hatfield, John Strohm and Freda Love Smith went their separate ways, repairing a formerly sour, creative-differences split. Lead driver 'Disappear' picks the Hatfield/Strohm synergy back up right where it left off; quoting Blake, the band have since described the record as more experience than innocence, being more polished than the early stuff, but with the same dark undertow suffusing the lyrics.
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What You Won't Do For LoveStudio 1 Jamaica
Studio One's 1982 rocksteady reduction of Bobby Caldwell's soul hit, and produced by Coxsone Dodd himself. 'What You Won't Do For Love' has by now been so thoroughly reworked it's built a life of its own, though Otis Gayle's version is remarkably candid, jetting through the notes with the stride of a pointer. The song is truly one of those that was less *written* and more *discovered*, identifiable anywhere no matter how far a given cover version strays. Brentford Rockers supply the dub version on the flip, carving out straight instrumental space.
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Himawari EP1Swayzak
The delta between serious, heads-will-know dub and cheesy electro is an understandably uncharted place, but the London duo of David Brown and James Taylor - Swayzak - have long believed they have the tools to brave those wilds. 'Himawari' pulls directly from their eponymous second album, from 2000, compiling onto exclusive EP 'Japan Air' and 'Annadub' - both are given quarter-century remasters. They're truly unique ones, glitzy supersaws and chord bursts doused in just enough space to sound huge, like the beginnings of a Euro-glam hit, but repetitive enough to remain in the abstract.
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Distance In StaticNinja Tune
Second only to the chimpanzee, the bonobo is humanity's closest hominid relative. That sense of uncanny familiarity also happens to course through the beats, woodblocks and pads of Simon Green's music. Distance In Static is his new album, emerging after a polytropic period spent travelling and recording at studios in the world's major cities - LA, Tokyo, New York. With guest vocalists including Arooj Aftab, Joy Crookes, Nilufer Yanya, Ichiko Aoba and Nicole Miglis of Hundred Waters, and lyrics in English, Urdu and Japanese, the record marks an ever-increasing intrepidness in Bonobo's music, incorporating Iranian samples and Chinese guzheng recordings.
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SorceryBelbury Music
Polygons, polysynth, polyglot... the ninth album by Ghost Box favourite Belbury Poly descends into the artist's childhood sci-fi and prog-fantasy soundtrack obsessions, though creatively it steers away from the usual 70s reference points, towards a narrower window around 1983, when digital studio gear first muscled in on analogue. There's everything here from medieval, Willow-style new wave fantasy ('Re-Enchantment'), digital marimba library movements ('The Goblin's Dilemma') and the dark, speedy rattler 'Skeleton Key', which might as well be a song for a dungeon-crawling platform game that never existed.
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Special Edition Vol 1: In Order To MichaelR&C
Italian rework specialists R&C have been busy of late, with the pair dropping a series of seriously Balearic re-rub releases, all in ultra-limited numbers. This time round, as the 'In Order To Michael' suggestion, the twosome have their wicked way with much-loved gems from the King of Pop himself. There are no track titles, but there's plenty to set the pulse racing. They first re-imagine 'I Can't Help It' as a woozy chunk of tactile deep house excellence, before joining the dots between electro, breaks and Balearic deep house on a serious summer swelter. Over on side B, boundaries are blurred between freestyle, electrofunk and house on a take on Rockwell's 'Somebody's Watching Me' (which of course featured MJ chorus and backing vocals), while the closing cut reimagines 'Gotta Be Startin' Something' as a percussion rich slab of warming deep house/disco fusion.
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