P. Leela
P. Leela | |
|---|---|
 P. Leela | |
| Background information | |
| Born | Porayath Leela 19 May 1934 |
| Died | 31 October 2005 (aged 71) Chennai, Tamil Nadu, India |
| Genres | Carnatic music and playback singing |
| Occupations | Singer, Composer |
| Instrument | Vocalist |
| Years active | 1948–2005 |
| Awards | Padma Bhushan, Kalaimamani |
 | This section needs more citations. (August 2025) |
Porayath Leela (19 May 1934 – 31 October 2005) was an Indian playback singer, Carnatic vocalist, and music director.[1] She began her career as a playback singer in the 1948 Tamil film Kangkanam.[2][3] She recorded songs in various Indian languages, including Malayalam, Telugu, Tamil, Kannada, Hindi, Bengali, Sanskrit, Odia, Gujarati, Marathi, and Sinhala. Leela was posthumously awarded the Padma Bhushan in 2006.[4]
During her career, Leela collaborated with composers such as V. Dakshinamoorthy, Baburaj, G. Devarajan, Ghantasala, M. S. Viswanathan, K. Raghavan, Br Lakshmanan, L. P. R. Varma, B. A. Chidambaranath, A.T. Ummer, M. K. Arjunan, Johnson, Ouseppachan, Ilaiyaraja, as well as playback singers K. J. Yesudas and S. P. Balasubrahmanyam.[5] Leela described her vocal style using the term Ganamani.[citation needed]
Early life
[edit]Leela was born on 19 May 1934 in Chittur, Palakkad, Kerala, to V. K. Kunjanmenon (Menon) and Porayath Meenakshi Amma. She was the youngest of three daughters, with sisters Sharadha and Bhanumathi. Her father was a teacher at Ramavarma Higher Secondary School in Ernakulam. He encouraged his daughters to learn Carnatic music, and Leela attributed her passion for singing to his influence.[6]
By age 13, Leela had sung over 5,000 film songs in the South Indian languages of Tamil, Telugu, Malayalam, and Kannada.[7] She also recorded songs for Bengali and Sinhala films. Leela sang during the same era as the Carnatic musicians M. S. Subbulakshmi, M.L. Vasanthakumari, and D.K. Pattammal.[8]
Career
[edit] | This section needs more citations. (August 2025) |
Leela's first guru was Thiribuvana Manibhagavadhar, the uncle of musician T. V. Gopalakrishnan. Later, she learned from Paththamadai Krishna Ayyar, Maruthuvakudi Rajagopala Iyer, and Rama Bhagavathar. Leela was trained in Carnatic music by Chembai Vaidyanatha Bhagavathar and V. Dakshinamoorthy. Vadakkancheri Ramabhagavadhar was a close friend of Leela's father, Menon. He had settled down in Madras. He would invite Menon and Leela to Madras to learn music whenever he visited Ernakulam. The headmistress of the school where Leela was studying advised her father to take her to Madras for further music training.[9]
Menon resigned from his job in Ernakulam and took Leela to Madras in 1944. They stayed with Vadakkancheri Ramabagavathar in Mylapore and the 10-year-old Leela began learning in the gurukula style. Her father insisted that Leela do sadhaka (practice music) early in the morning.
In Madras, Leela had opportunities to listen to concerts of singers like Ariyakudi Ramanuja Iyengar, S. Ramanathan, G. N. Balasubramaniam, Chembai, and others. Leela said this 'kelvi gnanam' (learning music by listening) helped her much in developing and refining her.[10] In 1946, Leela participated in several music competitions in her city, receiving multiple awards. Durgabai Deshmukh gave Leela her first formal concert opportunity at Andra Mahila Sabha.[citation needed]
Entry into film industry
[edit]The Columbia Recording Company was looking for a female voice. The manager at the time, Ganabathirama Iyer, recommended Leela. She was appointed as their artist, which paved the way for her entry into films.
In Tamil, Nandakumar was the first movie to introduce playback singing. A.V. Meiyappa Chettiar came up with the idea of replacing the soundtrack with voice and the playback system was introduced in Tamil cinema in 1938. It gradually got accepted and many singers entered the movie world.
When she landed in Madras, she did not know Tamil or Telugu. She would write the songs in Malayalam and practice them to perfection. Once she started her career as a playback singer, she arranged for tutors and learned other languages.
She got her first offer to sing in 1948 for a Tamil movie. Her father was initially reluctant but later he was persuaded to accept. Leela made her first appearance as a playback singer in the movie Kangkanam. She sang her first song, Sree Varalakshmi, at age 13. C.H. Padmanabhasastry was the music director of the film. She sang all the songs for the heroine in that film. After her debut in Kangkanam, she was the most sought-after playback singer in South Indian cinema for more than two decades, according to The Hindu.[11]
In 1948, she sang Paaduka Poonkuyile for the Malayalam movie Nirmala, though Balan. The film was made in 1938 and it was the first Malayalam "talkie" with a soundtrack. Balan was produced by T.R Sundaram for Modern Theatres, Salem, with S. Nottani as the director.[citation needed]
Telugu movies
[edit]In 1949, Leela made her debut in Telugu cinema singing in three films: Mana Desam, Keelu Gurram, and Gunasundari Katha. Singer and music director Ghantasala (with whom Leela has sung the most songs) introduced Leela in Manadesam. She sang all the songs for the heroine in the film Gunasundari Katha.[citation needed]
By the 1950s, Leela was recording playback songs in all major South Indian languages. Around the same period, she contributed to Shavukaru, the debut production of Vijaya Productions, which did not achieve commercial success at the box office.[citation needed]
She sang in the film Missamma (made as Missiyamma in Tamil) and worked as a music director for a film called 'Chinnari Papalu' (Telugu) in 1968. The film was produced exclusively by women. She sang eight songs along with P. Susheela in the film Lava Kusa (1963).[citation needed]
Discography
[edit] |
| Year | Film | Songs |
|---|---|---|
| 1948 | Kangkanam | "Sree Varalakshmi" |
| 1948 | Thirumalisai Alvar | Giridhaari |
| 1949 | Inbavalli | *Inbamana Mohini maane with T. R. Mahalingam |
| 1949 | Gunasundari Katha | "Sri Tulasi Jaya Tulasi" "Upakara Gunalayavai" |
| 1951 | Patala Bhairavi | "Pranaya Jeevulaku Devi Varaale" "Entha Ghaatu Premayo" "Kalavaramaaye Madilo" |
| 1951 | Singari | "Jighu Jighu Samakku Paarungo" "O! Chellaiah Nee Vallaiah" "Kaanil Vennilaa Poleh" "Bhaarathi Enge Solladi" "Vaanavillaipoleh Oru Vaaliban" |
| 1952 | Amarakavi | "Chedi Maraivile Oru Poongodi", "Yaanai Thandham Pole" and "Konji Pesum Kiliye" with MKT "Mullaich Chirippile" and "Mookuthi Minnudhu" with N. L. Ghanasaraswathi |
| 1953 | Bratuku Theruvu | "Andame Anandam Anandame Jeevita Makarandam" |
| 1954 | Pudhu Yugam | "Vaazhvinile Inba Saubhagyam" "Kaadhal Kondu Poovil Vandu" with Ghantasala "Pudhu Yugam, Pudhu Yugam" with Jikki |
| 1954 | Vaira Malai | "Nadana Kala Rani" (Dance Drama) with A. P. Komala and G. K. Venkatesh |
| 1955 | Jayasimha | "Eenaati Eehaayi Kalakadoyi Nijamoyi" |
| 1955 | Missamma | "Karuninchu Mary Matha" "Telusukonave Chelli" "Yemito Ee Maaya Challani Raja" ""Raavoyi Chandamaama" "Raaga Sudha Rasa" |
| 1956 | Chiranjeevulu | "Thellavaaraga Vachhe Theliyaka Naasaami Malliparundevu Lera" "Kanupaapa Karuvaina Kanulenduko" |
| 1956 | Tenali Ramakrishna | "Jagamula Dayanele Janani Sadashivuni Manoharini" |
| 1956 | Tenali Raman | "Ulagellaam Unatharulaal Malarum", "Ulagellaam Unatharulaal Malarum (pathos)", "Aadum Kalaiyellam Paruva Mangaiyar Azhagu Koorum" |
| 1957 | Maya Bazaar | "Chinnari Sasirekha Vardhillavamm" "Vinnava Yashodamma" "Neekosame Ne Jeevinchunadi" "Neevena Nanu Thalachinadi" "Laahiri Laahiri Laahirilo" "Choopulu Kalasina Subhavela" |
| 1957 | Suvarna Sundari | "Bangaaru Vannela Rangaaru Sanjala Rangeli Yetenchene" |
| 1957 | Pathini Deivam | "Gnaanakkanna Ezhundhiru" (with T. M. Soundararajan) "Vaaraai Indre Mohana" "Chinna Chinna Vayasile" with group |
| 1957 | Babruvaahana | "Yelara Manohara Manasemo Vayyaraala" |
| 1958 | Uthamaputhiran | "Kathiruppan Kamalakannan" |
| 1958 | Appu Chesi Pappu Koodu | "Joharu Gaikonara Deva" "Rama Rama Saranam Bhadradri Rama Saranam" |
| 1958 | Pelli Naati Pramanalu | "Sreemanturalivai Cheluvondu Maata Mammu Deevimpuma Maa Andhramata" |
| 1959 | Abalai Anjugam | "Daaladikkum Paappaa Jaaliyaaga" |
| 1959 | Amudhavalli | "Anbum Amaidhiyum" (with T. R. Mahalingam) "Singaara Vadivamaana Thithikkum" (with Sirkazhi Govindarajan) |
| 1959 | Nalla Theerpu | "Azhagaana Maaran Yaaradi" |
| 1960 | Chavukkadi Chandrakantha | "Aadchiyum Soozhchchiyum Sernthaal" (with A. G. Rathnamala) "Malarvana Veedhiyile Vasantha Thaerile" |
| 1960 | Shanti Nivasam | "Kalanaina Nee Valape Kalavaramandaina Nee Talape" |
| 1960 | Raja Makutam | "Ooredi Peredi "Sadiseyako Gaali" "Amba Jagadamba" Edanunnado Ekkadunnado" |
| 1961 | Jagadeka Veeruni Katha | "Nanu Dayaganave Naa Moravinava" "Jalakaalaatalalo kalakalapaatalalo" along with P. Suseela and "Varinchi Vachchina Maanavaveerudu also along with P. Suseela"" |
| 1961 | Kumara Raja | "Yettil Padithathodu Irundhuvidaathe" "Naan Vandhu Serndha Idam Nalla Idam" "Aanundu Paada, Pennundu Aada" (with J. P. Chandrababu) |
| 1963 | Lava Kusha | "Ramakathanu Vinarayyaa Ihapara Sukhamulanosage" "Voorake Kanneeru Nimpa Karanamemamma" "Vinudu Vinudu Ramayana Gaatha Vinudee Manasara" "Sriraamuni Charithamunu Telipedamamma" |
| 1965 | Pandava Vanavasam | "Devaa Deena Baandhavaa" |
| 1966 | Sri Krishna Pandaveeyam | "Swagatam Suswagatam" along with P. Suseela |
| 1967 | Rahasyam | "Shrilalitha Shivajyothi Sarvakaamadaa" "Evo Kanulu Karuninchinavee" (duet with Ghantasala Master, who was the music director too for this movie) |
- Sampoorna Ramayanam (1971)
- Paramanandayya Shishyula Katha (1966)
- Tirupathamma Katha (1963)
- Mahamantri Timmarasu (1962)
- Gundamma Katha (1962)
- Dakshayagnam (1962)
- Sri Seetha Rama Kalyanam (1961)
- Deepavali (1960)
- Sahasra Siracheda Apoorva Chinthamani (1960)
- Sri Venkateswara Mahatyam (1960)
- Krishna Leelalu (1959)
- Pelli Sandadi (1959)
- Mangalya Balam (1958)
- Dongallo Dora (1957)
- Panduranga Mahatyam (1957)
- Preme Daivam (1957)
- Sarangadhara (1957)
- Bhakta Markandeya (1956)
- Bhale Ramudu (1956)
- Jayam Manade (1956)
- Anarkali (1955)
- Vadina Gari Gajulu (1955)
- Vaddante Dabbu (1954)
- Oka Talli Pillalu (1953)
- Palletooru (1952)
- Pelli Chesi Choodu (1952)
- Patala Bhairavi (1951)
- Navvite Navaratnalu (1951)
- Paramanandayya Shishyula Katha (1950)[citation needed]
Personal life
[edit] |
Leela married a lawyer, but the marriage was unsuccessful. In her later years, she devoted herself to performing classical concerts and light music programs. She lived with her nieces and nephews in Defence Colony, St. Thomas Mount (Parangimalai).[12]
Legacy, singing style
[edit]She was known for her ability to sing both classical and light film music. Satya Kabali, an actor, said that Leela had an emotional touch and classical discipline which she imparted in film music.[10][13]
On her death, the Chief Minister of Tamil Nadu, Jayalalitha said:
She is a singer who is admired for her emotional voice and for her powerful singing.She has sung songs for Malayalam movies Tamil movies and Telugu movies.She is also known for her work, in classical music.
Awards and recognition
[edit] | This section needs more citations. (August 2025) |
- 1969: Received the best playback singer award from the Kerala government in 1969 for the song Ujjayiniyile Gaayika from the movie Kadalpalam.
- 1983: Kerala Sangeetha Nataka Akademi Award for Best Classical Musician[14]
- 1986: Kerala Film Critics Association Chalachithra Prathibha Awards for overall contributions to Malayalam cinema.[15]
- 1992: Received title of Kalaimamani Award by the Government of Tamil Nadu, which is the highest state honour in the field of Arts