Masanori Murakami: Baseball’s Forgotten Pioneer

“When I was here in ‘64, I felt like baseball was a little lighter, much more fun,” the now-71-year-old Murakami remembers. “In Japan, there’s all this calculation and control and I felt like it was maybe a little bit dark. So here, I had more freedom to play baseball and enjoy it the way that I loved.”

He pitched out of the bullpen eight more times in 1964, and saw action in 45 games the next season. With each throw, Mashi further legitimized Japanese baseball in the eyes of Americans.

“Until he appeared at the major league level, the general supposition among fans and baseball professionals was that the Japanese professional league was the equivalent of double-A at best,” John Thorn, MLB’s official historian, says. “After Murakami, that was impossible.”

But, just as quickly as his American career began, it came to a halt. A nasty contract battle between the Giants and Hawks resulted in Murakami’s return to Japan and a fundamental reevaluation of Japan’s relationship with Major League Baseball. If Japanese players could compete with Americans, the thinking went in Japan, then they ought to stay at home and build the reputation of their own game. “I think the Japanese professional baseball leagues did not want to become just a source of raw materials,” Thorn says. “They protected their best players with much more vigor afterwards.”

The door Mashi so improbably opened slammed shut for other Japanese players — and it stayed sealed for 30 years. The name Masanori Murakami was forgotten; a trailblazer was reduced to trivia.

In 1995, things began to change.

Hideo Nomo, at 26 one of Japan’s best pitchers, exploited a contractual loophole that freed him to play in America by retiring in Japan. He promptly ended his Japanese career, signed with the Los Angeles Dodgers, and became an immediate sensation.

“I was very happy to see another Japanese player finally make it to the major leagues after all of these years,” Murakami told a Japanese reporter after Nomo’s debut on May 2, 1995. “Nomo’s performance today brought back a lot of fond memories for me. My heart was pumping for him.”

Nomo won National League Rookie of the Year in 1995, threw the first of two career no-hitters in 1996, and ultimately played in America for 13 years. His success cracked the wall separating Japanese players from the U.S., and it drew American attention to Murakami for the first time in decades. In Mashi, fans discovered the pitcher who made Major League Baseball take Japanese pros seriously, who made Nomo’s jump to America possible, who inspired a generation of Japanese Americans unaccustomed to seeing themselves represented in a predominantly white culture.

“I was born and raised in San Francisco and was only 8 years old when he played here,” Facebook user Wayne Yoshitomi said in a post on the Mashi fan page. “I didn’t realize until later in life how important it was to have someone that looked like you playing in a professional sport.”

Today, Japanese representation in Major League Baseball has become something we expect. More than 40 players have followed Nomo from Japan since 1995, including bona fide superstars like Ichiro Suzuki, Hideki Matsui and Yu Darvish. In turn, Murakami’s standing grows, albeit slowly. But his place in baseball history is secure — even if it took decades for the force of his accomplishments to finally be felt.

“We were comparing him to an Asian Jackie Robinson in the majors,” says 17-year-old Philip Choi, who was in the stands for Mashi’s Citi Field pitch. “Because he’s the first, he still has a lot of impact. First everything is good—and the first Japanese player, especially with all the Japanese players in the league now, is huge.”