"The Community"

"THE MANDOM PROJECT"
Gatsby Commercial Juxtaposes Rastafarians with a Chimpanzee



A Community Project sponsored in part by "The Community" Internet Human Rights Group
Coordinator:
Steve Silver, Community Member.
(Last Updated June 16, 2005)

Click here to page down to:

THE PROBLEMATIC IMAGE:

(Courtesy www.gatsby.jp, as of June 7, 2005)
PDF version at http://www.debito.org/TheCommunity/MandomAd2.pdf



BACKGROUND: WHY THIS ISSUE MATTERS:

ORIGINAL EMAIL TO THE COMMUNITY:


From: "Steve" <sgsilver@spamcop.net>
Date: Sat May 28, 2005 3:56 pm
Subject: Offensive racist commercial by Gatsby

I regret to inform the Community that I have just discovered one of the most offensive and racist CMs that I have watched in Japan. The CM can be seen via streaming video at:

http://www.gatsby.jp/cm_studio/gallery.html
or, of the ad has disappeared by now,
http://www.debito.org/TheCommunity/30sec03.wmv (30-second version of the ad)
http://www.debito.org/TheCommunity/15sec03.wmv (15-second verion of the ad)

The first CM on the upper left features a group of black men in Rastafarian-looking garb listening to reggae while cleaning their face with a wet towel, the product being advertised. A chimp sitting with them, also dressed in Rastafarian-garb and cleaning its face with a wet towel. The association the CM makes is clear -- black men are like apes, chimpanzees out of the jungle.


(Courtesy www.gatsby.jp, as of June 7, 2005)
PDF version at http://www.debito.org/TheCommunity/MandomAd.pdf

I hope that the Community can take a strong stand against this kind of racist advertising and demand that the company immediately pull its CM off the air and issue a formal apology. I would suggest writing letters to the editor of major English-language and Japanese-language newspapers, writing letters directly to the company, or calling the company directly to voice your complaint. Debito, if you are reading this, anyhing that you can lend to this effort would be much appreciated.

Thank you in advance, Steve Silver



EDITED RESPONSE

From:
Arudou Debito <debito@debito.org>

Date: Sat May 28, 2005 8:18 pm
Subject: Suggestions for tackling the Gatsby ad

Thanks for bringing this to our attention, Steve. Here's what I suggest:

1) Suggest the person who feels the most indignant about this take this up as a
Community Project. We haven't discussed this amongst Community Coordinators
yet, but I for one will support it (and will sign your press release if you will
have me). But Steve should front it.

2) Suggest Steve write up a quick letter (of course in Japanese as well as in
English) raising the issue and asking for clarification from Gatsby, and send it
to Mandom Corp (via http://www.gatsby.jp/information/contact/index.html, or <mail@mandomworld.com>). Make this a public letter (I will forward it around),
with the relevant website and
contact details for Mandom (particularly email contacts)
included, so that
people who feel similarly inclined can also contact Mandom and express their
indignation...

In general, with things like these, where it's a matter of taste and opinion
whether or not this constitutes something offensive (remember that Japan is
rather insensitive towards issues like these, even republishing Little Black
Sambo
with little reflection or sensitivity), I say raise the issue, give out
the details, and give the general public the choice to write in if they feel so
inclined in protest. No need to double-guess ourselves into inaction with
something that some people (myself included) might find problematic.

Anyway, go for it, Steve, I say. Debito in Sapporo



ENLIGHTENED FEEDBACK:


Date: Mon May 30, 2005 11:10 am
Subject: Re: [Community] Letter to Mandom Corporation

I forwarded the link to the commercial to a friend of mine in North
America who is a political activist, and black, to see what his
impression was, and he sent the following reply, which adds a whole new
angle to the concept of what is offensive about this commercial:

"I think it's very offensive to Rastafarians in particular, and
blacks in general. The dreadlocks, red, gold and green tam, etc. are
religious symbols, so it's a little like dressing a monkey up in a nun's
habit or as an orthodox Jew. Most like the latter, because, like
Rastafarianism, Judaism is associated with a particular race of people.
So, yes, I think it's both racist and mocks a religious minority in one go."


Since Rastafarianism has been largely co-opted by a youth subculture

that doesn't believe in it, sometimes it's easy to forget that it is
still a religion.

Any letter that goes to the makers of the commercial should
definitely address this angle of the issue.

PROTEST LETTER TO MANDOM CORP.
(This letter free for use to protest said Gatsby commercial, viewable at
http://www.gatsby.jp/cm_studio/gallery.html
Mail to:
http://www.gatsby.jp/information/contact/index.html
or mail@mandomworld.com
(Printer friendly version available in Word format at
http://www.debito.org/TheCommunity/mandomcomplaint.doc)

June 2, 2005

Mandom Corporation
Mr. Motonobu Nishimura, President
5-12, Juniken-cho, Chuo-Ku
Osaka 540-8530
Japan

RE: Concern over offensive television commercial

Dear Mr. Nishimura:

We would like to voice our deep concern regarding the content of a Gatsby CM currently airing on television, and request that Mandom Corporation cease broadcasting this advertisement immediately.

The CM in question is an advertisement for the product "Mogeha" (ƒ‚ƒQƒn) which features several Black men listening to reggae music while wiping their faces with the product. Sitting on the sofa with the actors is a chimpanzee who is imitating the same action of wiping its face as the Black actors.

I find this advertisement to be highly offensive, particularly the use of a chimpanzee mimicking the actions of the Black men portrayed in the commercial. Visually equating Black men as ÒapesÓ or ÒmonkeysÓ is a particularly egregious racial slur due to the fact that for hundreds of years, Black men have been referred to as apes in an effort to dehumanize and degrade them. Much of the anti-Black racist literature has claimed that Blacks are more akin to apes than to human beings, and the image of the ÒBlack bruteÓ has been used to associate Black men as dangerous ape-like savages.

Furthermore, dreadlocks in the colors of red, gold, and green are Rastafarian religious symbols. The dressing up of a chimpanzee in such garb would be akin to dressing it up as a Buddhist monk or a Shinto priest. It is highly offensive to members of a particular religious group, one that is particularly identified with Blacks of Caribbean origin, and should be avoided.

The use of a chimpanzee mimicking the behaviors of Blacks, in addition to its use of religious symbols as a costume, is, at the least, an extremely insensitive and tasteless attempt at humor. At the worst, it can be construed as a blatantly racist and degrading portrayal of Blacks. We request that Mandom Corporation terminate the broadcasting of this commercial immediately. Furthermore, we request that Mandom Corporation show greater sensitivity when portraying Blacks in future advertisements.

I look forward to receiving your prompt response on this matter.

Sincerely,
(your name, email address etc.)

(Signatories on version sent from The Community:
Steve Silver, Hirakata
Olaf Karthaus, Sapporo
Dave Gutteridge, Tokyo
Peter Prem, Tokyo
Arudou Debito, Sapporo)

Mail to:
http://www.gatsby.jp/information/contact/index.html
or mail@mandomworld.com


ANOTHER LETTER OF PROTEST FROM A CONCERNED PARTY

Date: Tue, 07 Jun 2005 06:29:11 -0000
Subject: [Community] Open letter to Mandom
Reply-To: communityinjapan@yahoogroups.com
From: Steve Silver

This has been passed on to me by a former colleague of mine now living in Africa. Her
letter does an excellent job of bringing the issue to a personal level, yet still making clear
that the issue is a global one at the same time. She has given me permission to post the
article and for Debito to post the article to the Community website.

Thank you,
Steve Silver

LETTER BEGINS
Dear Mandom Corporation:

Although I doubt that you meant to do harm in your "Gatsby" ad, the
photograph of the chimpanzee in Rastafarian clothing gives a message
that, because of world history, is a damaging one. I am married to an
east African man and we have had to struggle in both the USA and in
Japan against the stereotypes that people have about Africa and black
people.

When I explained that I was going to visit East Africa, both American
and Japanese people asked questions like, "Are there buildings there?"
"Do people wear clothes there?" "Wow, they drive cars?" and "Do you
worry about lions coming near your house?" I responded that, yes,
there are skyscrapers there, that people in Rwanda cover their bodies
more than people in Japan, that they drive cars but are hindered by
poor road quality and that lions are found only in national parks.

Yet a more hidden problem exists. Both Japanese and Americans make
assumptions about black people based on stereotypes seen on TV, in ads
and in our history of the way we treated blacks. In Japan, a person is
considered more beautiful if she is very fair. Darker people are
thought to have less intelligence and more criminal tendencies. As I'm
sure you know, none of these stereotypes have basis in research or
fact.

When you equate a Rastafarian (Jamaican / black) person with a
chimpanzee, it sends a message, even if unintended, that blacks and
chimpanzees are in the same category. Please try to imagine how that
might feel if you, like my husband, had four years of post-university
education. Or, to put it more bluntly, how would it feel to go to
Africa and see an ad on TV (and they have TV in Africa, too) with a
chimpanzee dressed in a kimono?

Stereotypes hurt all of us in a world where we are all experiencing
globalization. Please think seriously about the impact of this
advertisement.

Sincerely yours,
Robin Strickler
(resident for 8 years in Osaka, Japan)

LETTER ENDS


MANDOM CORP'S ANSWER (1), AND COMMENT
(original Japanese here)

MANDOM CORP RESPONDS TO AD FEATURING RASTA CHIMP
(Update One--freely forwardable--dated June 7, 2005)

Forwarding an email from Steve Silver <sgsilver@spamcop.net> re The Community's Mandom Project (http://www.debito.org/TheCommunity/mandomproject.html), where Mandom Corp responds to a complaint from an individual Japanese student. The student translates Mandom's letter as is. The original Japanese is available at the above website, along with links to screen captures of the problematic images.

Downloadable as PDF files via
http://www.debito.org/TheCommunity/MandomAd.pdf
http://www.debito.org/TheCommunity/MandomAd2.pdf

Quick comment from me follows the email.

E-MAIL BEGINS
////////////////////////////////////////////////
From: Mandom World <mail@mandomworld.com>
To: M.Y.
Date: Mon, 06 Jun 2005 13:32:26 +0900
[translated from Japanese by the student, forwarding as is]

Thank you very much for your concern about our commercial and the product.

The commercial you inquired for is about "face washing paper, MOGEHA", the concept is "we can clean our face anywhere". With this concept, we planned the commercial to inform the message to customers. To do so, we create the scene of Motoki (the Japanese man) and his friends using the product together. And we used reggae music because it is sympathized among young people who are the target of the product. And the atmosphere
in CM is the symbol of hotness.

Rhythm of reggae, time passing slowly, exchange of mysterious language among Motoki and his reggae friends, and also their cute pet Harry, the chimpanzee, these are all one scene in usual days. By describing this scene, we wanted to signalize the refreshing face washing paper, and tried to establish unique world view which Gatsby brand has.

If customers receive affinity from the CM, it will lead their trust for the product and our company. We are aiming to create CM which customers will be sympathized with. But we take the fact that we gave such impression by the CM seriously, and take what you have pointed out as valuable opinion. We will consider this when we create CM from now on.

Lastly, we wish all of your health and progress. Yours, Mandom Corporation

////////////////////////////////////////////////
EMAIL ENDS

QUICK COMMENT FROM ARUDOU DEBITO:

Well, that's a bit blithe. Sounds to me like Mandom Corp. is not taking this issue at all seriously, fobbing off the emails of complaint to an underling--perhaps the person who originally designed the advertisement (hand-drawn storyboards visible at the e-conte section of the Mandom site; click on the ad at http://www.gatsby.jp/cm_studio/gallery.html and after a separate window opens up).

The author above seems completely oblivious (not to mention a bit defensive) as to why anyone would criticize his or her hard-wrought project. Not even a "sorry if this advertisement caused any misunderstandings", which is standard Japanese operating practice when being politic with customers.

I've since passed on the Japanese version of the ad on to my Japanese mailing lists. One response already: ire at the flippant reply. Hopefully more people will now see the gulf in understanding and write something to Mandom directly.

You can too directly through
mail@mandomworld.com
Feel free.

On an aside, the Japanese republication of "Little Black Sambo" was at the top of bestseller lists, according to Japanese TV this Sunday. FYI.

Arudou Debito, Sapporo
June 7, 2005
http://www.debito.org/TheCommunity
Feedback about this issue to Steve Silver <sgsilver@spamcop.net>, thanks.
ENDS


MANDOM PULLS AD CAMPAIGN FOR "MOGEHA" TOWELETTES
ISSUES LETTER OF APOLOGY (dated June 9, 2005)
Translation by
The Community
Japanese original here

Apology

We will stop showing the television commercial of Mogeha.

We decided to stop showing the Mogeha television commercial which we have been showing since March 28 because the commercial was inappropriate. We deeply regret this, and we apologize to those who had bad feelings from this commercial and all those related. In the future, we will try not to do the same thing. We will have strict checks from various points of view and creeds. We will make an effort to create advertisements that our customers will enjoy in the future.


Signed,

Дޮ‰ïŽÐ ƒ}ƒ“ƒ_ƒ€
ŽÐ’·Ž·s–ðˆõ ¼‘º Œ³‰„
MANDOM CORPORATION KK
NISHIMURA MOTONOBE, REPRESENTING THE CEO

http://www.mandom.co.jp/release/2005/src/050609.html


MANDOM'S HISTORY OF USING RACE TO PUSH PRODUCTS

From the book, "Occidentalism: Images of the West." (Oxford Univ Press 1995)
Pg 148: (Research courtesy Matthew Dioguardi of The Community)

============= BOOK QUOTE BEGINS =====================
Although prominent foreigners were used in Japanese advertisements
from much earlier on, the 1970 advertising campaign for Mandom (a
line of men's toiletries) featuring Charles Bronson is most
frequently credited with establishing this 'talents' trend which
still persists in Japanese commercials. While in Osaka in 1990, I
had the golden opportunity to interview the creative director who
developed the Mandom campaign. I believe that, as in the other
cases discussed here, it was not only more 'exotic' and 'exciting'
to have a foreigner for this promotion, but 'safer'. Bronson's
image, a clear depiction of sensuality and indulgent individualism,
was used to invert the established protocol for Japanese cosmetics
and toiletries advertising.

The Bronson commercials were an attempt to change the way men's
toiletries were presented while utilizing associations of the West
with progress, to promote a more modern, Western image for the then
fifth place company in men's toiletries. According to the ad's creator:

"Until then, when making men's cosmetics we always portrayed a
soft, gentle look and always used Japanese men. . . . When creating
the [new] name for the product 'Mandom' the desire was to combine
the idea of 'kingdom' or 'freedom' with the word MAN, creating the
Idea of a 'man's world'. Until then the idea of cosmetics for men
was to create a 'sweet smell'."

To go with the new image, a new bottle was designed to convey a
sense of strength. This was achieved by making a huge cap, larger
than the bottle. According to the creative director, '[t]he cap and
bottle made a big impression. It conveyed a sense of strength
rather than "sweetness".' To go along with this imagery, the ad
makers decided to present a 'kitanai Amerika no otoko'--'a dirty
American male'--in Mandom commercials, and featured Charles
Bronson, looking all sweaty in grimy clothing. The catch-phrase
used as a slogan for this promotional campaign was 'otoko no
taishuu' or 'a man's body odour'. Until that time, according to the
creative director, the word taishuu was considered a negative phrase
with a rather bad connotation, having all the appeal of the
analogous English 'body odour' or 'BO'. The idea of the advertising
campaign was 'to take this negative thing and turn it into a plus'.
In this instance, the use of Bronson as 'the dirty American male'
with a 'man's BO' successfully accomplished these goals. Utilizing
a foreigner made it easier to be this daring. Had the campaign
backfired it would have been easier to revert to more conventional
portrayals utilizing Japanese men than if a Japanese man had been
used to break with the existing conventional expectations.

============= BOOK QUOTE ENDS =====================

("Occidentalism: Images of the West." James G. Carrier - editor. Paperback: 284 pages Publisher: Oxford University Press (June 1, 1995) ISBN: 0198279795)

Hence Mandom got what it deserves--a hue and cry. As Community Member Matthew Dioguardi argued in his report on this advertising phenomenon, this time Mandom products weren't only strong enough to cleanse sweaty black people--it worked on animals like chimpanzees as well. Glad Mandom saw sense and stopped the ad. Thanks to Steve Silver and several others (like Japanese students at universities and other concerned parties) who took this issue up!


Mandom pulls the plug on racist TV commercial

http://www.japantimes.co.jp/cgi-bin/getarticle.pl5?nn20050615a2.htm
The Japan Times: June 15, 2005

Cosmetics maker Mandom Corp. announced Tuesday it has stopped airing a TV commercial that compares black people and monkeys.

In the commercial for men's blotting paper, several black people wipe sweat off their faces with the paper, while a chimpanzee beside them in an Afro wig and a multicolored outfit wipes his face in imitation.

A human rights group criticized it after it began airing March 28, saying it was comparing black people with monkeys.

After consulting with lawyers and advertising agency officials, the company stopped showing the commercial June 9 and has also stopped using a magazine advertisement, saying the campaign "lacked an international sense of ethics."

"We are very sorry. We apologize to viewers and other people who felt offended," said Motonobu Nishimura, a company executive.

The Japan Times: June 15, 2005
(C) All rights reserved


Japanese publisher defies Little Black Sambo protest

Justin McCurry in Tokyo
Wednesday June 15, 2005
The Guardian
http://www.guardian.co.uk/international/story/0,,1506481,00.html#article_continue

Seventeen years after it was removed from bookshops for its racist content, the children's story Little Black Sambo has made a comeback in Japan.

The tale of Sambo, a boy who uses his wits to survive after being stalked by tigers, was a hit in Japan when it was first published here in 1953.

In 1988, Japanese booksellers agreed to remove it from their shelves after a US-led campaign against its racist language and imagery.

Last April, Zuiunsha, a small publisher in Tokyo, decided to reissue the book - under its Japanese title Chibikuro Sambo - reckoning that today's children would be as enchanted by the book as their parents were.

The gamble has paid off. About 100,000 copies of the 30-page book have been sold in the past two months and it has made it into the top five on the adult fiction bestsellers' lists at big bookshops in the capital.

The publisher brushed aside claims that it was cashing in on a work that many consider racist, with its depictions of Sambo - a derogatory word for black people - with bulging eyes and exaggerated lips.

In the late 1890s Helen Bannerman, a Scot, wrote Little Black Sambo for her children while they were living in India.

"Times have changed since the book was removed," Zuiunsha's president, Tomio Inoue, told the Guardian. "Black people are more prominent in politics and entertainment, so I don't think this book can be blamed for supporting racial stereotypes. We certainly had no intention of insulting black people.

"Sambo is a brave boy who gets his reward at the end of the story. He fights the tigers using his brain so that he won't get eaten. It's an exciting story and children love it. I hope people will see it the same way."

Few protests have been voiced in Japan, which has a very small black community, although an online campaign against the book attracted messages from a few people, mainly Americans. "We have replied to all of them in English explaining our position and have heard nothing back, so I think they understand," Mr Inoue said.

Meanwhile, the Japanese cosmetics maker Mandom said yesterday it had stopped showing a TV commercial after complaints that it was racist. In the advert, for face blotting paper, several black people wipe the sweat from their brows while a chimpanzee wearing an afro wig imitates them.

"We are very sorry and apologise to viewers and other people who felt offended," a company spokesman said.
ENDS

MANDOM PROJECT SITE ENGLISH VERSION ENDS
A Community Project


JAPANESE VERSION OF PROTEST LETTER TO MANDOM CORP
CONCERNING PROBLEMATIC GATSBY COMMERCIAL
iR‹c•¶‚Æ‚µ‚Ä‚±‚̃eƒLƒXƒg‚ÍŽg—pŽ©—Rj
(available in Word format at
http://www.debito.org/TheCommunity/mandomcomplaint.doc)
CM‚Í‚±‚±‚Å‚²——‚ɂȂè‚Ü‚·F
http://www.gatsby.jp/cm_studio/gallery.html
‘—‚èæ‚Í:
http://www.gatsby.jp/information/contact/index.html
or mail@mandomworld.com

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http://www.debito.org/TheCommunity/30sec03.wmv (30-second version of the ad)
http://www.debito.org/TheCommunity/15sec03.wmv (15-second verion of the ad)

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•l‚Ìsˆ×‚ð^Ž—‚éƒ`ƒ“ƒpƒ“ƒW[‚ðŽg—p‚·‚鎖A‚»‚ê‚ɉÁ‚¦‚Ä@‹³“I‚ÈÛ’¥‚ðˆß‘•‚Æ‚µ‚ÄŽg‚¤Ž–‚ÍA­‚È‚­‚Æ‚à”ñí‚É–³_Œo‚ʼnº•i‚ȃ†[ƒ‚ƒA‚ÌŽŽ‚Ý‚Å‚ ‚è‚Ü‚·Bň«‚Ìê‡A˜Iœ‚ÈlŽí·•ÊŽå‹`ŽÒ‚ÅA•l‚Ì•iˆÊ‚ð‰º‚°‚Ä‚¢‚邯‰ðŽß‚³‚ê‚é‰Â”\«‚à‚ ‚è‚Ü‚·BŽ„‚½‚¿‚ÍA‹MŽÐ‚ª¡‚·‚®‚É‚±‚̃Rƒ}[ƒVƒƒƒ‹‚Ì•ú‘—‚𒆎~‚·‚鎖‚ð‹‚߂Ă¢‚Ü‚·B‚³‚ç‚ÉA‚à‚µA¡Œã‚Ü‚½•l‚ðƒRƒ}[ƒVƒƒƒ‹‚Å•`‚­Ž–‚ª‚ ‚ê‚ÎA‚æ‚è[‚­l‚¦‚Ä‚¢‚½‚¾‚­‚悤A—v‹‚¢‚½‚µ‚Ü‚·B

‹MŽÐ‚©‚ç‚Ì‚·‚΂₢•Ô“š‚ðŠú‘Ò‚µ‚Ä‚¢‚Ü‚·B

S‚æ‚èB


(Courtesy www.gatsby.jp, as of June 7, 2005)

Mail to:
http://www.gatsby.jp/information/contact/index.html
or mail@mandomworld.com



JAPANESE ANSWER FROM GATSBY, JUNE 6, 2005

Date: Mon, 06 Jun 2005 14:59:16 +0900
Subject: FW: ‚¨–â‚¢‡‚킹‚ɂ‚¢‚Ä
From: Steve Silver <sgsilver@spamcop.net>
To: Arudou Debito <debito@debito.org>

Hi Debito, This is a response from Mandom to a student who wrote a letter to the
company protesting the CM. @She said it's fine to post on your web site... Thanks! Steve

------ Forwarded Message
From: Matsuo <....@hotmail.com>
Date: Mon, 06 Jun 2005 14:50:27 +0900
To: <sgsilver@spamcop.net>
Subject: FW: ‚¨–â‚¢‡‚킹‚ɂ‚¢‚Ä

this is email which mandom sent to me.

===================================================
From: Mandom World <mail@mandomworld.com>
To: M....@hotmail.com
Subject: ‚¨–â‚¢‡‚킹‚ɂ‚¢‚Ä
Date: Mon, 06 Jun 2005 13:32:26 +0900

@¼”ö —l

@”qŒ[A‚Ü‚·‚Ü‚·‚²´‰h‚Ì‚±‚ƂƂ¨Šì‚Ñ\‚µã‚°‚Ü‚·B
@•½‘f‚æ‚蕾ŽÐ‚̤•i‚È‚ç‚Ñ‚ÉLŠˆ“®‚ɑ΂µ‚Ä‚²ŠÖS‚ð‚¨Šñ‚¹’¸‚«½‚É‚ ‚肪‚Æ‚¤‚²‚´‚¢‚Ü‚·B

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@
@L‚Åe‹ßŠ´‚ð‚à‚Á‚Ä‚¢‚½‚¾‚­‚±‚Æ‚ªA¤•i‚âŠé‹Æ‚ÌM—ŠŠ´‚ÉŒq‚ª‚é—͂ɂȂè‚Ü‚·B

@•¾ŽÐ‚Å‚ÍÁ”ïŽÒ‚Ì•ûX‚Ì‹¤Š´‚ð‘厖‚É‚·‚éLŠˆ“®‚ð–ÚŽw‚µ‚Ä‚¢‚Ü‚·‚ªA‚²Žw“E‚̂悤‚ȈóÛ‚ª‚ ‚Á‚½‚±‚Ƃ͗¦’¼‚Ɏ󂯂ƂߋMd‚È‚²ˆÓŒ©‚Æ‚µ‚Ä¡Œã‚ÌLŠˆ“®‚ÌŽQl‚É‚³‚¹‚Ä’¸‚«‚Ü‚·B

@ÅŒã‚ÉŠF—l‚Ì‚²Œ’Ÿ‚Ƃ܂·‚Ü‚·‚Ì‚²”­“W‚ð‚¨‹F‚è\‚µã‚°‚Ü‚·B

@Œh‹ï


-----------------------------------
Дޮ‰ïŽÐƒ}ƒ“ƒ_ƒ€
ƒ}[ƒPƒeƒBƒ“ƒO•”@é“`‰Û
E-Mail@mail@mandomworld.com
-----------------------------------

ˆÈã



_ŒË‘åŠw‚̃OƒŠƒA[涂Ɣނ̊w¶‚©‚ç‚ÌR‹c•¶‚ɑ΂µ‚ă}ƒ“ƒhƒ€ŽÐ‚Í‚±‚¤‚¨•ÔŽ–‚µ‚Ü‚µ‚½F

To: <tim@kobe-u.ac.jp>
Sent: Friday, June 10, 2005 4:09 PM
Subject: ‚¨–â‚¢‡‚킹‚ɂ‚¢‚Ä

Tim Greer —l

”qŒ[@‚Ü‚·‚Ü‚·‚²´‰h‚Ì‚±‚ƂƂ¨Šì‚Ñ\‚µã‚°‚Ü‚·B

@•½‘f‚æ‚蕾ŽÐ‚̤•i‚È‚ç‚Ñ‚ÉLŠˆ“®‚ɑ΂µ‚Ä‚²ŠÖS‚ð‚¨Šñ‚¹’¸‚«½‚É‚ ‚肪‚Æ‚¤‚²‚´‚¢‚Ü‚·B

@‚²Žw“E‚¢‚½‚¾‚«‚Ü‚µ‚½“_‚ÉŠÖ‚µ‚Ü‚µ‚ÄA‰äX‚Ì”Fޝ‚ª•s‘«‚µ‚Ä‚¢‚½‚±‚Æ‚ð”½È’v‚µ‚Ü‚·‚ƂƂà‚ÉA•s‰õ‚ÈŽv‚¢‚ð‚³‚¹‚Ä‚µ‚Ü‚¢‚Ü‚µ‚½‚±‚Ƃɂ‚«‚Ü‚µ‚ÄS‚æ‚肨˜l‚Ñ\‚µã‚°‚Ü‚·B

@Œ»Ý•ú‰f‚µ‚Ä‚¢‚éuƒy[ƒp[ôŠçƒ‚ƒQƒn•Òv‚ÌCM‚ɂ‚«‚Ü‚µ‚Ă͕ú‰f‚Ì’†Ž~‚ðŒˆ’è’v‚µ‚Ü‚µ‚½B®AƒeƒŒƒrƒRƒ}[ƒVƒƒƒ‹ˆÈŠO‚ÌL•¨‚ÉŠÖ‚µ‚Ü‚µ‚Ä‚Íoe‚Ì’†Ž~‹y‚щü•Ò‚Ìì‹Æ‚ð‘‹}‚Éi‚߂è‚è‚Ü‚·B

@¡‰ñ‚¨–â‚¢‡‚킹’¸‚«‚Ü‚µ‚½ƒeƒŒƒrƒRƒ}[ƒVƒƒƒ‹uƒy[ƒp[ôŠçƒ‚ƒQƒn•Òv‚Å‚ÍAu‚Ç‚±‚Å‚àŽèŒy‚ÉŠç‚ð‚·‚Á‚«‚肳‚¹‚邱‚Æ‚ª‚Å‚«‚év‚Æ‚¢‚¤ƒy[ƒp[ôŠç‚ªŽ‚¤•i“Á«‚𶊈ŽÒ‚ÌŠF—l‚É‚¨“`‚¦‚µ‚悤‚ÆŠé‰æE§ì’v‚µ‚Ü‚µ‚½B

@CMƒLƒƒƒ‰ƒNƒ^[‚Å‚ ‚é–{–Ø‚³‚ñ‚Æ‚»‚Ì’‡ŠÔA‚¨‚æ‚єނç‚̃yƒbƒg‚Å‚ ‚éƒ`ƒ“ƒpƒ“ƒW[‚̃nƒŠ[ŒN‚ªŠF‚ÅŠy‚µ‚­ˆê‚ɤ•i‚ðŽg—p‚·‚邯‚¢‚¤ƒV[ƒ“‚ðƒ‚ƒ`[ƒt‚É‚b‚l‚ð§ì’v‚µ‚Ü‚µ‚½B

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@ÅŒã‚ÉŠF—l‚Ì‚²Œ’Ÿ‚Ƃ܂·‚Ü‚·‚Ì‚²”­“W‚ð‚¨‹F‚è\‚µã‚°‚Ü‚·B

Œh‹ï

2005”N6ŒŽ10“ú
Дޮ‰ïŽÐƒ}ƒ“ƒ_ƒ€
L•ñIRŽº

////////////////////////////////////////



2005”N6ŒŽ9“ú

Дޮ‰ïŽÐ ƒ}ƒ“ƒ_ƒ€
ŽÐ’·Ž·s–ðˆõ ¼‘º Œ³‰„

‚¨@˜l@‚Ñ

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http://www.mandom.co.jp/release/2005/src/050609.html


’©“úV•·‹LŽ–
ƒ}ƒ“ƒ_ƒ€‚̃`ƒ“ƒpƒ“ƒW[‚b‚lAu•l·•ÊvŽw“E‚Å’†Ž~

2005”N06ŒŽ14“ú09Žž21•ª
http://www.asahi.com/national/update/0614/TKY200506130682.html

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